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Novelist Jose ph Shearing specialized in using rea l cases whi ch took plac e in Victorian England, altering them for f icti onal purposes. MOSS ROSE in 1947 was the first film to be made from his n ovels, then in 1948 two of his works were adapted for the screen, this film and THE M ARK O F CAIN. The movie sta rs Todd as a recen tly wi dowed missio nary re turning to her home in Engla nd from Jamaica. During the voyage, she meet s Mi lland, a c harmin g though dangero us rascal w ho is wanted by police in conn ection with some unsavory dealings. Milland contracts malar ia while onboard th e ship and T odd nurses h im back to health. In London, Todd settles into her home, taki ng in board ers to m ake ends m eet. Milland arriv es, moves in, and proclaims his love for her. Todd is thrilled, but i t seems rather obvious that Milland is only toyin g wi th her. Milland find s some letters w ritten t o her by he r friend, Fitzgera ld, in which Fitzgerald reveals so me of her s exual in disc retions. Sin ce Fitzg erald is now married t o the wealth y Hunt ley, Mill and believes he can use the let ters t o blackmail Fitzgera ld. Todd9;s l ove for Mil land i s so gr eat that she g oes along with the plan. Huntley, howe ver, learns of the scheme and also uncovers details of Mil land's shady past. Fearing for he r lover's safety, Todd poisons Huntley, then remains silent w hen Fitzgerald is arrested for the murder . Milland has by now genuinely fal len in love with Todd and t he t wo make plan s to leave England. Before they can depart, one of Mill and' ;s for mer love rs shows up and Todd , in a jealous rage, kills Milla nd, t hen turns herself into the police. This is an intrigu ing film, altho ugh a litt le on the talky side. The perf ormances are excellent throughout, with Milla nd shin ing as th e cad, the type of role in which he excelled. Though he spent most of his time maki ng films in the US, he occasionally r eturn ed to his native Englan d for a production and this was his first Br itish film since FRENCH WITHOUT TEARS in 1939. D irector Allen was also an Engl ishman who chose to work in the US, this being his firs t directorial effort in his homeland. This was the f ourth and last ti me Milland and Allen would work together, their pairing having begun in 1 944 with the wonderfully eerie T HE UNINV ITED. 想到那个 神出鬼没的东西，印颜的心又剧烈跳动起来，“本来，昌长老感觉能 按住那条大尾巴，可是 ，不知怎的，它突然又厉害起来，然后，那小冥兽，好像鬼魅一般，借着地利，连着抹了西才他 们的脖子，昌长老没办法，才完全放开了身体的封印。”
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